What does bassnectar produce with

As he attended rave parties in the s, he began to assimilate into that culture and fell in love with electronic music in the process. He dedicated time to studying electronic music and subsequently learned to DJ.

The mids saw him become a temporary bass player for American death metal band Exhumed. He then began playing house parties under his DJ Lorin moniker. In he switched to the Bassnectar name and released his mixtape, Freakbeat for the Beatfreaks. However, he stopped touring in favor of holding his own events which are quite popular among his fans, who are also referred to as bassheads.

He is known for his high work-rate. I love when people ask that question, for it has no simple, straight forward, or consistent answer and depends upon whom you ask. Therein lies the beauty of the art, the science, the culture and the journey that are parts of Bassnectar. Each of these elements multiplies the intensity of one another, and all stem from one common denominator, love. Each day contributes to enhancing the conduction of the energies of the universe. Prophecy speaks of a coming of Rainbow tribe of people , ones that wear their hair long and always paint their faces.

Unique individuals from different spiritual, mental and geographical backgrounds, are drawn together like electrons around a nucleus. We are all called to something we love. Our passion brings out the artists in each of us, as we all get decked out for these peak life moments that are Bassnectar shows.

This being our first Bassnectar NYE experience , we had no idea what to expect. The stage setup, sound system and two-hour set from Bassnectar exceeded every expectation we had for what a live show really is. It was such an unbelievable experience. Bridgestone was a soundscape unlike any other on this planet. The evolution of the set was nothing short of breathtaking as Lorin captained the Bass Ship.

Seeing as many Bassnectar shows as possible was no longer a question. We were all in. However, with the release of his 10th studio album Noise vs. Beauty , Bass Heads were reassured that it was all well worth the wait. Though it may be difficult at times, patience is key to being a dedicated pursuer of passion.

You must be sure to give an artist time to grow and develop. Whether it was waiting several months to see him, or following him on the journey that is his live show, we knew he would reward us well with surprises and unexpected delights along the way.

The time off was rejuvenating. It gave us time to soak it all in and really absorb the magnitude of what we had actively encountered that fateful NYE evening.

How is it that the technology of today communicates the message of music to our physiology? Our five senses include hearing, seeing, smelling, tasting and touching. Sound itself essentially only appeals to one of those senses: hearing. Loudspeakers move air molecules in the direction of our ears in order to vibrate our eardrums.

A beautiful illustration and explanation of sound waves is demonstrated by these informative animated graphs. Simply put, a speaker is able to broadcast complex wave forms by moving a magnet through an electrical coil. This magnet is attached to a speaker cone in order to move the air molecules and vibrate ear drums. As a fun take home experiment, bring a balloon with you to the next big show you attend.

Get one with an LED and take it to a Bassnectar show for bonus points. Watch, feel, and play with that balloon as it is being vibrated by the same energy as your body. Pretty cool huh? What separates Bassnectar from the rest of the touring acts today is the attention to detail that he and his acoustic team puts into matching the perfect amount of speakers to the space they are filling. They are able to assume any size stage, room or field, and swallow it whole.

Bassnectar and Co. Human hearing spends a range of about 20 Hertz Hz to 20, Hz. Lorin and his acoustic team have chosen to pair with sound pioneer and genius Meyer Sound. These speakers cover a range wider than nearly any other speaker system and are able to do so with unbelievable clarity and control. This is why you might be initially confused when someone calls your name from a balcony above you.

We percieve sound left and right X , front and back Y , but cannot really decipher the height Z of a sound. High frequency tones are directional and require much smaller speaker cones to project them. These smaller speakers take much less energy to move. As an example, a note on the midi scale of C8 the highest note on a piano has a frequency of Hz. The wavelength for this note is about 3 inches long.

Bass frequencies are much longer. A note on the midi scale of C1 has a fequency of Therefore, the speakers themselves must have more surface area, and speaker cabinets more volume in order to push the air molecules to broadcast that frequency.

This is why you will see much larger speaker cones for sub frequency notes. If you ever count the number of these subsonic elements Bassnectar has, you will find that he carries more than almost any other touring act out there. The Meyer LFC, in particular, has the ability to be arrayed in a cardioid pattern.

This means they place one facing backwards away from the crowd and another stacked on top of it facing forward towards the crowd. Through a scientific feat called phase alignment the acoustic team is able to, essentially, double the sound forwards and eliminate the sound behind the sub.

This is genius because low frequency tones are generally omnidirectional transmitting in all directions , whereas high frequency tones are directional. This acoustic trick of frequency alignment essentially allows the entire PA system to be directional, pushing the most energy possible towards the crowd. Unlike the olfactory system, the visual system perceives the world around us in 3 dimensions. The layout of the stage allows for so many visual possibilities.

Next level acts understand that simply having speakers in a dark room may not fully communicate the idea behind the song. Since the roll out of the Ultra Nerd Server UNS that Lorin and team put into place for his Immersive Tour , the live show has achieved an incredible amount of synchronicity.

Hands on, custom cut and designed video times perfectly with the music, flowing from track to track and clip to clip. The UNS assigns a specific video clip for each audio clip. This way, when Lorin drops in a splashing snare, a water droplet lands directly on a mushroom in perfect time with the song in the case below.

His teams — acoustic, video, and lighting — are all a tightly knit crew that work hand-in-hand, day-after-day, venue-after-venue, in order to provide the best possible experience a human can have at a live music performance.

This congruity is one of the many reasons that so many humans follow Bassnectar around the country. Though Bassnectar has now transformed into a road crew consisting of 5 semi-trucks and 5 tour busses, these days are a far cry from the DJ Lorin days where he was in the venue helping set up the sound and beginning to sculpt his vision for what was soon to become the Bassnectar we know and love today. This growth comes from a constant fueling of the flame from Lorin. His unwavering dedication to improvement and all out debauchery caters plenty well to long haired head bangers of all types.

There are miles of cables, hours of physical stage setup, and even more hours of musical preparation and arrangement. All of that work culminates into an experience that is different for every single human it envelopes.

It is about growth, persistence, and unwavering dedication, from Lorin to fans and back; it is about magnetism. Red Rocks is a true treat for Bass Heads, and the Bassnectar crew goes all out for this event. The towering rocks and natural sloped amphitheater make doing anything there majestic.

You can feel the energy pulsating from the ground and the unique sandstone that has been molded over years by the elements. The clean, clear Colorado air that is a joy for your lungs and your body to breath and stirs new life from the inside out. Everyone and everything was buzzing, and we could already tell the wait had been worth it before Lorin even took the stage.

I have never seen a stage production adapted so well to an existing structure. Sarrantonio remembered doing what he said—even choosing her career as speech pathologist at his encouragement—because she was hoping he would enter into a committed relationship with her. Sarrantonio said she denied sex with him when they first met, but they had many sexual conversations.

In hindsight, she said she sees his behavior as manipulation to get her to have sex, which she eventually did after about a year. According to Sarrantonio, Ashton gave her hundreds of dollars unprompted after each of their encounters. The first time, she recalled finding the money in her backpack on the way home.

She said the value went up after they became intimate. She said they mostly used encrypted apps to text, like Wickr, which destroys messages and informs the sender if you take a screenshot. Sarrantonio said she only told one person about the relationship, her college roommate Ellie Crough.

Sarrantonio said she saw their relationship as special and even considered him her best friend until the evidenceagainstbassnectar instagram account posted emails allegedly sent to a year-old- Rachel Ramsbottom with eerily similar language to what he had sent her.

Ramsbottom independently shared those emails with VICE. Although Sarrantonio was over 18, her account of her experience with Ashton otherwise mirrors what Bowling and Ramsbottom, the plaintiffs in the lawsuit, said they experienced. According to Ramsbottom, her relationship with Ashton began in September of , her senior year of high school, after he DMed her in response to a tweet. She said they exchanged phone numbers and began talking over text and on the phone.

Her statements to VICE are consistent with the allegations in the lawsuit. The two were in constant communication throughout her senior year of high school, she said, and they discussed the fact that she was In the alleged email that ended up on evidenceagainstbassnectar, he asked her to write an essay for him.

Ramsbottom said she thought they were meeting in the hotel lobby before his set, but instead, he told her to come into the elevator where he was waiting. She said they went to his hotel room and had sex, but Ashton refused to wear a condom and she bought Plan B the next day.

Ramsbottom said Ashton insisted she tell no one, but she did tell a close friend in high school, Jordan Shipowitz, who VICE spoke with and corroborated the details of the story. In Tennessee, the age of consent is 18 years old, which means that individuals 17 or younger are not legally able to consent to sexual activity unless their partner is less than four years older.

According to Ramsbottom, she met up with Ashton again after his performance and they had sex and he gave her wine. When she turned 18 at the end of that same month, he came back to Tennessee to visit her, she recalled, and they stayed at a hotel together in Nashville. Like Sarrantonio, Ramsbottom said they watched animal documentaries together and slept in separate beds. A former Bassnectar employee of several years, Ezra—whose name has been changed because of fear of retribution in the music industry—confirmed that it was common knowledge on the team that they would book rooms with two beds for Ashton while traveling, one presumably for a woman he would have over.

Ramsbottom said Ashton came to see her again that summer in Tennessee, but she had started to become disillusioned by him, especially the rule that he was allowed to have other intimate relationships but she was not. They had a conversation in the summer of Alexis Bowling described a similar start to her relationship with Ashton as Ramsbottom; her statements to VICE are consistent with the allegations in the lawsuit.

On her 17th birthday, in August , Bowling said she tweeted at Bassnectar asking for a birthday wish. She had been a fan of his since middle school. Bowling said he replied to her with a DM and the conversation eventually moved to email. I begged my mom into letting me go to this show that I had won tickets to, so off I went. When she arrived and realized the event was 18 and up, Bowling said she called Ashton for help and he told her he'd see if he could find a way to get her in.

According to Bowling, they met on the Las Vegas Strip. Bowling said Ashton was worried about her staying at a hotel with a guy friend and warned her to be careful. Only a couple of weeks later, in July , Bowling said Ashton flew to see her in Kentucky. She said she sent Ashton many naked photos of herself when she was 17 years old at his request. According to Bowling, she and Ashton had sex during his three visits that summer before she turned She said they stayed twice in hotels in Kentucky, where she lived, and once over state lines, in Cincinnati, Ohio.

After she turned 18 and started college, Bowling said he began paying for her to fly across the country to see him. Even after she turned 18, Bowling said Ashton insisted she keep the relationship secret and use Wickr to text. She remembered breaking his rule to confide in a friend she met her freshman year of college, Laurel Small.

Bowling said Ashton gave her other rules to follow, too, like not wearing makeup or perfume, and she said he discouraged her from joining her college dance team. Like the other women VICE spoke with, Bowling remembered Ashton continuously warning her that men are only after sex and not to be trusted.

Despite his warnings, she said she met someone she wanted to date in the spring of , her sophomore year of college, and her relationship with Ashton shifted to friendship. Despite her title, her experience with Ashton mirrored the experience of the others.

Before their relationship became serious in , Hughes said she experienced the behaviors other women described: when she met up with him at Counterpoint Festival in , she recalled him trying to convince her to break up with her boyfriend and giving her an oddly long hug.

The similarities continued as their relationship progressed: she said he asked her to use a privacy messaging app and tried to convince her to delete her social media, which she now sees as an attempt to isolate her. She also remembers him recommending the movie American Beauty to her and them watching animal documentaries, specifically one about silverback gorillas.

When Bowling decided to anonymously share her story on the evidenceagainstbassnectar Instagram last year, as well as finally tell her friends and family about what happened, she said she felt a huge weight being lifted.

Ramsbottom said she knew she had the power to shift the tide of opinion by sharing a recording of a phone call between herself and Ashton. That is quite literally statutory rape Is it not? What happened with you is something I want to take accountability on any level with you. If you think it's worth me going to live forever in a Tennessee jail to be either raped or beaten to death She was right that the call would change minds.

The electronic music producer and longtime Bassnectar collaborator ill. To hear that power he had turned on a young woman was chilling. This moment was a long time coming for Dave Montana Billings, 35, better known as DB Montana, and the creator of evidenceagainstbassnectar. He said that several women had told him they were in problematic, sexual relationships with Ashton years ago.

He was skeptical at first, but became motivated to do something last year. For those deep in the Bassnectar fandom, Montana is a known figure. He was arrested in over a domestic dispute with his mother, though the charges were ultimately dropped.

As a former audio engineer, he said he noticed that Bassnectar tracks often included uncredited elements and samples from other artists.

I was just a music nerd that understood what was going on and wanted to shed light on it. That was theft pure and simple. It was unbelievable to me. The pattern spans from as early as the mids to as recently as spring of last year. In the case of electronic music and sampling, Lane said there is an ethical code among DJs that Ashton crossed.

Ashton has been called out for stealing other types of art, too. In April , visual artist and animator Max Hattler accused Ashton , then later sued him, for using his art during live performances without permission or payment. The case was ultimately settled.

There was hope that this platform would allow ill. Gates to grow and find his own audience as a result. Other well-known bass music producers have alluded to the controversy in support of victims, including Peekaboo , G. Jones , and Apashe. But no male collaborators besides Lane have spoken publicly about their personal experiences.

He said that his doing so is actually one more example of him being manipulated by Ashton. According to Lane, the two spoke when the evidenceagainstbassnectar Instagram surfaced. He chalked up much of his experience to the unfortunate realities of the brutal music industry.

She said that Ashton unacceptably used a portion of one of her original songs without credit or permission, then made ultimately hollow promises about how he would rectify the situation.